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I don’t want to ride the bus – removed in perfect air-conditioned equilibrium
No hint of wind, no outdoor smells.
I want to feel the dirt road under my feet, the pungent smell of cows.
The bus drives through the landscape, not part of it, not in and of it
It leaves no room to pause, absorb
The oak leaf curled crisp upon the road
The rotting wood of this lonely bench
Or the creek splashing over its horde of stones.
Acquainted With The Night
by Robert Frost
I have been one acquainted with the night.
I have walked out in rain – and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
O luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
Dreams
by Langston Hughes
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
these things are possible.
more than we know – or try to discover
it falls in front of us, just a dangling leaf
midair, invisibly attached to spider thread
it spins, but not at a speed the word implies, it twists gently
in quiet air, asking us questions we don’t often answer.
I’ve been going through my old journals today, indulging in a bout of nostalgia. One notebook is full of starts of stories – I can tell which books or movies I must have been reading when I started writing these. My handwriting is still from elementary school – maybe early junior high. It makes me laugh to see how formal I was – how the heavy British influence started so young with Enid Blyton, Frances Hodgson Burnett etc. In some ways, I feel like my love of British literature makes it harder for me to be a writer today – what I want to write and how I want to write is in no way modern or North American.
A cut out of one of Thomas Merton’s poems – I’m forgetting which right now. Forgive the formatting, I’m copying this out of a journal I had copied it into.
I will try like them
To be my own silence.
And this is difficult. The whole
World is secretly on fire. The stones
Burn even the stones
They burn me. How can a man be still or
listen to all things burning? How can he dare
to sit with them when
all their silence
is on fire?
Something I started working on today – fairly rough still but hey, I’m dusting off my poetry skills which have lain dormant since high school. Actually, I banished them for awhile, but I’ve been thinking lately, probably influenced by Jess’s blog that I should give it a whirl again sometime. The rhythm for this was in my head but it doesn’t quite all fit and I’m not sure it’s really done where it ends. Oh well – as one of my favourite quotes says, “A poem is never finished, only abandoned” or Oscar Wilde who commented that he knew a poem was done when he spent the whole morning inserting a comma, and the rest of the afternoon removing it.
Lament.
This gap yawns vast in me
A lack of curiosity
That sits so idly at home
Content to know the things we know
No need to waste the energy
On learning more than necessary
The watered seeds of apathy
Grow in our inactivity
We have no stamina of thought
For complicated word and pattern
We cannot rise to the occasion
Incapable of concentration
And so a river thick with ignorance
Floods our minds with empty business
Truth no longer is imparted
Through the avenue of artists
This is one of my favourite poems to read aloud. I love it because I can hear my Grandpa’s voice when I read it. He quoted the whole thing for us once and his voice has that perfect story-teller quality to it. When we were little and couldn’t see Grandpa and Grandma very often, they would send us tapes with them reading or telling us stories. I can remember Grandpa’s voice reading “The Large and Growly Bear” and Grandma reading us “Yip and Yap.” I’m sure those tapes are somewhere at home – it would be fun to listen to them again.
Anyway, here is “The Day is Done” by Henry Wadsworth Longfellow.
| The Day is done, and the darkness | |
| Falls from the wings of Night, | |
| As a feather is wafted downward | |
| From an eagle in his flight. | |
| I see the lights of the village | 5 |
| Gleam through the rain and the mist, | |
| And a feeling of sadness comes o’er me | |
| That my soul cannot resist: | |
| A feeling of sadness and longing, | |
| That is not akin to pain, | 10 |
| And resembles sorrow only | |
| As the mist resembles the rain. | |
| Come, read to me some poem, | |
| Some simple and heartfelt lay, | |
| That shall soothe this restless feeling, | 15 |
| And banish the thoughts of day. | |
| Not from the grand old masters, | |
| Not from the bards sublime, | |
| Whose distant footsteps echo | |
| Through the corridors of Time. | 20 |
| For, like strains of martial music, | |
| Their mighty thoughts suggest | |
| Life’s endless toil and endeavor; | |
| And to-night I long for rest. | |
| Read from some humbler poet, | 25 |
| Whose songs gushed from his heart, | |
| As showers from the clouds of summer, | |
| Or tears from the eyelids start; | |
| Who, through long days of labor, | |
| And nights devoid of ease, | 30 |
| Still heard in his soul the music | |
| Of wonderful melodies. | |
| Such songs have power to quiet | |
| The restless pulse of care, | |
| And come like the benediction | 35 |
| That follows after prayer. | |
| Then read from the treasured volume | |
| The poem of thy choice, | |
| And lend to the rhyme of the poet | |
| The beauty of thy voice. | 40 |
| And the night shall be filled with music, | |
| And the cares, that infest the day, | |
| Shall fold their tents, like the Arabs, | |
| And as silently steal away. |
Excerpt from “East Coker” in T.S. Eliot’s Four Quartets
V
So here I am, in the middle way, having had twenty years-
Twenty years largely wasted, the years of l’entre deux guerres-
Trying to use words, and every attempt
Is a wholy new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate,
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate – but there is no competition -
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.
“They are clouds without rain, blown along by the wind; autumn trees, without fruit and uprooted – twice dead. They are wild waves of the sea, foaming up their shame.“
This is from Jude (v. 12b-13a).

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